Movie Reviews: "Baby Driver" is A High-Octane and Stylish Action Flick

Consistently buzzing writer/director Edgar Wright returns to deliver Baby Driver, a playlist-inspired action flick with a stylish, high-octane spin of its own.

Ansel Elgort plays Baby—that’s it, that’s his name. He’s a quiet and mysterious music junkie (his iPod earbuds rarely leave his ears), who also happens to be an amazingly skilled getaway driver for a crew of bank robbers (which includes Jon Hamm and Jamie Foxx). Baby wants to get out of the game though, so he can run away with Debora (Lily James), a down-to-earth girl he meets at a diner. But unfortunately, that won't be so easy under the intimidating grasp of his boss, played by a sly Kevin Spacey.

It's a film that fires on all cylinders. Flashy editing and kinetic camerawork, escalating conflicts within each beat of the narrative, and the way the rock and soul music synchronizes with the exhilarating tempo of the action sequences and shootouts: it's all crafted with thematic precision.There's even a bit of sweetness to it as Baby cares for his deaf, wheelchair-bound foster parent (played by CJ Jones). And fittingly, there are several cameos from significant musicians along the way—from renowned Red Hot Chili Peppers bassist Flea, to indie-pop singer Sky Ferreira, and even southern rap artists Big Boi and Killer Mike (the film does take place in Atlanta, after all).

As fun as the film is, the ending stretch does drag on a bit longer than it needs to, but Baby Driver is still guaranteed to be an electrifying trip to the movies. Just be careful driving on the way home. ;)